Now add a key in position property of this emitter at this point. Step 23: Now, place the play head of the key frame at the starting point and then place the light ranger at this option by moving it with the help of its moving arrow of X and Y directions. We will animate the position of the emitter.
#Adobe after effect particular software#
Step 22: Now click on the Emitter layer in the layer section of this software and press the P button from the keyboard for the position property of Emitter. Step 21: Now, place the play head some frame forward in the timeline section so that we can see the particles. Step 20: Now, choose the ‘Light’ option in Emitter Type from the parameters of the Trapcode Particular option. You can adjust the size by choosing the size percentage from this list. Step 19: Light ranger will be generated on the composition screen. Name this layer as ‘Emitter’ for using light Emitter and press the Ok button of this dialog box. Step 18: A light setting dialog box will be open. A drop list will be open, go to the ‘New’ option and choose the ‘Lights’ option from the new drop-down list. Step 17: So let us understand Trapcode with an example. I will explain to you one of them as an example of Trapcode Particular.
Step 16: The type of scattering of particles will depend on this option which is Emitter Type. When you increase the value of this option number of a particle will increase, and if you decrease, the number of particles will be decreased. Step 15: You can adjust the number of particles which will emit per second. Step 14: And second is Explode it will emit particle like this. There are two main options that are ‘Continuous’ it will emit particle continuously like this. Step 13: The first option is Emitter Behavior.
Step 12: You can see the scattering of particles by playing it from the keyframe. Click on the small arrow icon of the Emitter option, a list of its parameters of Emitter will be opened. There is an Emitter option which is the most important parameter of Trapcode particular feature of After Effects software. Step 10: We have a different type of parameter in this section which we can understand after practicing on it. Step 9: Trapcode Particular parameters lists will be open in the Effect Control panel, which is next to the Project panel of this software, at the left side of the Composition window. A drop-down list will be open, go to the RG Trapcode option of this list and click on the ‘Particular’ option of the new drop-down list.
Step 8: Now go to the Effect menu of the Menu bar. Name this solid layer as ‘Particular’ and press the Ok button of this dialog box for applying the settings.
Step 7: A Solid Setting dialog box will be open. A drop-down list will be open, go to the ‘New’ option and choose the ‘Solid’ option from the new drop-down list. Step 6: Now go to the Layer section of this software, which is at the bottom of the working screen and right-click anywhere in this section. Make your desired settings here according to you and press the Ok button of this dialog box. Step 5: A new Composition setting box will be open. Step 4: You can click on this icon of the Project panel, which is named ‘Create a new Composition’ for a new composition. Step 3: Another option through which you can take a new composition is by right-clicking anywhere on the Project panel section and Choosing the ‘New Composition’ option from the drop-down list. Step 2: Now go to the Composition menu of the Menu bar for a new composition at the top of the working screen. Step 1: At the top of the working screen, we have a Menu bar and Toolbar for making our work easy in this software below these ribbons, there are three sections that are Project Panel at the left end to the working screen, at the middle, there is Composition window which shows our current composition, at the right end we have parameters sections for making any composition in this software, at the bottom of the working screen we have Layer section for making changes in layers of composition and at the right end there is Timeline section for handling the parameters of any particular animation of any composition. 3D animation, modelling, simulation, game development & others
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